| TITLE |
AUTHOR |
DEPT |
ADVISOR |
DATE |
|
|
| The stylistic development of opera in
the seventeenth and eighteenth centuries |
Newber, Femia Gayenell |
MUS |
Hudson |
Spring 1967 |
| The stylistic development of opera in
the seventeenth and eighteenth centuries |
Braak, Femia Dianne |
MUS |
Deas |
Spring 1972 |
| Invitation
to the dance |
Little, Wanda |
MUS |
Deas |
Spring 1977 |
| An
introduction to the history of piano and piano literature |
Mahn, Emma L. |
MUS |
Ping |
Spring 1977 |
| Departure |
Russell, Robert Ashley |
MUS |
Wilky |
Fall 1977 |
| Index
of solo bassoon literature |
Spivey, Donna Susan |
MUS |
Martin |
Spring 1980 |
| A study
to understand and explain the changes, psychological |
Gayenell, Alice |
MUS |
|
| They could always make music: a study of
slave instruments and spirituals in the antebellum american south |
Richey, Staci Leanne |
MUS |
Martin |
Spring 2001 |
| Film Music: Producing a Film Score |
Gaudinier, John |
MUS |
Errante |
Spring 2002 |
| Franz Liszt's Sunt Lacrymae Rerum: A
Critical Edition |
Jones, Nancy Elizabeth |
MUS |
Martin |
Spring 2006 |
| An Investigation into the Nature of
Absolute Pitch |
Lancaster, Jennifer |
MUS |
Rack |
Fall 2006 |
| Ludwig van
Beethoven's Seventh Symphony, Op. 92 in A Major Movement II Allegretto
(Arranged for Flute Quintet) A Scholarly Edition |
Trubia, Jean Meredith |
MUS |
Martin |
Spring 2007 |
| Vladimir
Horowitz: American Patriot |
McAllister, Alex David |
MUS |
Martin |
Spring 2008 |
| Shades
of Red: Problems in the Initial Development of Soviet Musical Culture |
Spillers, Gloria Elizabeth |
MUS |
Salwen |
Spring 2008 |
|
|
|
|
|